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Xena: THE THIEF OF SECRETS

or

CAPER, CAPER

by Ryan Dever

SCENE 28

EXT. ALEXANDRINE HARBOR. DAY.
ESTABLISHING: The sun is low in the sky and the horizon over the city is shifting to the rose-yellow of a desert sunset. MEDIUM-LONG: Our heroes' boat is tugged beyond the seawall and cast off. LOCK-OFF SHOT: The sail comes up and as they move we cross fade to the same shot at night. No boat, just city and stars, and of course the Pharos.

SCENE 29

EXT. ALEXANDRINE HARBOR. NIGHT.
In the far background the base of the Pharos, in the foreground the seawall punctuated every twenty or thirty feet by stone uprights which stand three feet tall. A guard enters on patrol, stops, scans. The camera pans to the softly rippling water and we watch his reflection leave. Beat, beat... the water is silently broken by slick black hair and then wide open bright blue eyes. She has been watching him from beneath the black water and she continues to do so even as she reaches for a crack in the stonework and climbs. Her skin is blackened with ash and sheaned with oil. The water doesn't even drip but slides silently off of her back in a beauty shot of well sculpted shoulders in rippling light. LONG SHOT: We see about forty feet of the wall in silhouette. At far screen right Xena cresting the wall to the right of one of the uprights, at far screen left a guard enters. Cut to the guard, hard yellow light from his left, rippling blue reflections from his right, follow him past the upright. There's nothing there but a shadow that opens its eyes. She waits, the Pharos' light sweeps past them and she moves. A quick shot to the neck and he's down.

SCENE 30

EXT. ALEXANDRINE HARBOR. NIGHT.
Xena throws a line to Autolycus and Gabrielle who are in a raft that looks like it's made of the beds from the ship. The raft is covered in a black tarp. Xena pulls them in and they unload.

XENA
(already putting on her armor) They're in twos about thirty seconds apart and ten minutes between each pair.

AUTOLYCUS
How long have we got?

XENA
About seven minutes.

GABRIELLE
(shouldering Autolycus bulky pack) I must be crazy.

XENA
You liked it last night.

GABRIELLE
That was different.

SCENE 31

EXT. DOOR TO THE PHAROS. NIGHT.
Two guards stand at the door with pole-arms.

AUTOLYCUS
(entering) Excuse me, I was wondering if you could help me.

the guards react instantly to the intruder.

AUTOLYCUS
I have this bet with a friend of mine that she-

Xena clangs the guards' heads together from behind

AUTOLYCUS
-could do that. Not bad.

he crouches at the door, springs the latch as though it were nothing and stands.

XENA
After you.

AUTOLYCUS
Oh no, after you, I insist.

With sword in hand Xena kicks the door in and punches the first person she sees.

SCENE 32

INT. GUARD ROOM. NIGHT.
It's what you might expect of a guard room. A single table some chairs and a few board/stunned guards who are quickly pummeled. Our heroes go up the stairs to the next level.

SCENE 33

INT. STORAGE ROOM. NIGHT.
A much larger room but we can't see the walls for all the wax coated bars of phosphorous stacked in it. The next level is exactly the same. The level after that is filled with oil casks and the level after that is a staging area for a large platform connected to a winch which is used for hauling things to the top.

GABRIELLE
Oh thank you. (she drops the pack on the platform with a sigh)

The ropes run through the center of the platform where there is a stack of gears with a double handle, like on railway hand cars. Gabrielle grabs three metallic gold jump suits from hooks on the wall as Xena rolls two barrels of lamp oil on as well as a few bricks of phosphorus. Xena and Autolycus take the handles.

AUTOLYCUS
Next stop, women's' lingerie.

Xena snaps her end down and Autolycus catches his in the chin.

AUTOLYCUS
All right, all right.

they start pumping and lift off, the camera tilts to follow and we see that the stairs spiral up the walls which converge in darkness. This is the main shaft, it goes the remaining 250 feet to the top.

AUTOLYCUS
Housewares? Novelties. Top secret military hardware that could fry a whole city. Uh, what am I doing here?

XENA
Why are you asking me?

SCENE 34

INT. THE LIFT. NIGHT.
Walls scroll past in the background. Gabrielle is finished putting on the gold lamé jumpsuit. It has a hood and a pair of metallic goggles attached (like Inuit snow goggles, a solid piece with a thin slit over the eyes). She looks like a sci-fi jogger or an oriental lab tech from a 007 movie. The suit is a little puffy.

GABRIELLE
Trade.

Gabrielle and Xena trade places. Xena starts to pull her suit on over her armor, the combination of oiled and ash black skin with gold weave makes her look like something out of a Carl Lagerfeld show. A low drone starts and grows.

AUTOLYCUS
What that noise?

XENA
(pointing to pale slits of sky in the walls) Draft holes. It's the draw for the flame, it's like a giant lamp. Air comes in here and goes straight up through a feed hole in the bottom of the burnner.

By now she is shouting to be heard over the wind which sucks at their hair and cloths.

SCENE 35

INT. WATCH ROOM. NIGHT.
Two guys sit playing cards in gold jump suits. An air pipe runs through the center of the room and hums in its baffles.

GUY#1
Go fish.

GUY#2
This game sucks.

There is a noise below.

GUY#1
Was that the winch? (looks at a rack of hour glasses) Next shift's not due for three turns.

guy#1 goes to the door in the floor just as Xena comes up. He is startled, she reaches for her chakram which is covered by the jump suit.

XENA
Damn!

she grabs him by the face and hurls him down the stairs behind her. In the room below Gabrielle and Autolycus (in gold now) are unloading the oil. Gabrielle sees guy#1 first as he starts to stand, she forearms his upper chest, his head cracks off the wall, then she sweeps his feet and he continues to roll down the stairs. With no landings to stop him now there is an endless succession of "Ooo! Ow! Ouch!".

GABRIELLE
(watching him tumble into darkness) That's gotta hurt.

We get a good look at the room, several barrels of oil stand open against the wall. Four inch pipes lead from the barrels through the ceiling, the pipes appear to be packed with huge wicks.

CUT TO: Gabrielle and Autolycus entering the Watch room. Guy#2 is still standing, Xena gives him one of her feather weight face pushes and he drops into a chair. Xena looks at the cards

XENA
You were gonna lose anyway.

GABRIELLE
That it?

XENA
Looks like it.

AUTOLYCUS
Let's do this thing and get out of here.

SCENE 36

INT. THE TORCH ROOM. NIGHT.

Xena opens the door at the top of the stairs and the brilliance factor is astounding. The three of them look away as they done their goggles, then enter the room. SOFT HORIZONTAL STAR FILTER, APERTURE OPEN ONE STOP TOO WIDE: The floor is mirror smooth marble, the wall on the half that faces the city is covered in hammered and polished silver. The half that faces the sea is glass, each pane looks like a giant Fresnel lens. In the center is the source of the god like brilliance, a fire howls in a circular three foot (3 ft.) cage about four feet (4 ft.) off the ground. It is fed by the pipes we saw earlier. Behind the fire mounted on a circular track about the cage is a four foot (4 ft.) parabolic mirror. Mounted to the same apparatus as the mirror is a series of gear arms and lenses which are pointed to the ceiling away from the fire. The roof is supported by eight pillars and made of huge sheets of sliced amber with a chimney in the middle.

SCENE 37

INT. GUARD ROOM. NIGHT.
The unconscious guards litter the room. Another guard enters, sees them and sounds the alarm.

SCENE 38

INT. TOP OF THE LIFT. NIGHT.
Autolycus runs down the stairs and almost falls into the abyss where the lift was. Looking over the edge he can see that guards are loaded on and it's starting to move. He grabs his silk filled pack and goes up to the watch room.

AUTOLYCUS
(yelling up the stairs) We've got company!

INT. THE TORCH ROOM. NIGHT.
Xena has torn off a silver panel and bent it over the fire so that Gabrielle can get to the lenses without being burnt. Gabrielle is using measuring sticks and calipers then writing the figures down as best she can, considering the ink is steaming.

XENA
(to herself) Thought we'd have longer. (to Autolycus) Cut the rope!

INT. TOP OF THE LIFT. NIGHT.
Autolycus is already hanging from the pulleys over the shaft doing just that. The fact that the rope is moving is making things difficult.

AUTOLYCUS
What a novel idea. She must think I'm a moron.

Frustrated at not being able to cut the moving rope he jams his dagger between a block and its wheel and pries until the pin pops. There is a great thunk as the platform drops a foot and bounces. CUT TO THE PLATFORM: guards stumble, one or two actually fall over the edge. The ones with bows take aim at the top of the shaft and let fly. CUT TO TOP OF THE LIFT: Oblivious Autolycus continues to work. Xena enters, looks at Autolycus, then down the shaft at the arrows that have no chance of getting this high and in fact are already starting to fall back at the platform.

XENA
Morons.

she rolls a barrel to the stairs. CUT TO THE PLATFORM: guards cover themselves as their own arrows rain back at them. CUT TO TOP OF THE LIFT: the last of the block and tackle comes free as does Autolycus, realizing too late his mistake. He falls less then four feet when Xena hauls him to safety.

AUTOLYCUS
Funny, I thought I'd stopped screaming.

both look over the edge at the screaming. There is a distant echoing crash. Torches are coming up the stairs.

XENA
Not like I was expecting less. Go. I'll hold them here, the stairs are only two people wide.

during this last the two have rolled the barrel Xena moved up the stairs to the watch room.

SCENE 39

INT. THE TORCH ROOM. NIGHT.


AUTOLYCUS
Look out, sister, I gotta get up there.

GABRIELLE
I'm almost finished. (continues working)

AUTOLYCUS
We're all gonna be finished if I don't get this thing (his balloon bag) ready.

Gabrielle gets down, doodles a few sketches. Autolycus pushes the silver panel out of the way, climbs the mirrors' stand then stands on top of the mirror itself to reach the ceiling. The apparatus protests as he pops a ceiling panel and throws the bag up. He steps on a gear arm, the lenses fall into place causing the room to dim a bit.

GABRIELLE
Woah! (ducks)

the beam falls on a patch of sea which starts to steam.

GABRIELLE
(as she crawls around the fire) Watch what you're doing!

she tugs at the lever but it's bent, the lenses are stuck in place. She pulls another lever closing the aperture in the second parabolic mirror which dims the room to nearly normal. On the roof Autolycus has the end of the giant silk bag over the chimney and is flapping hot air into it. Battle sounds from downstairs, Gabrielle goes to help.

SCENE 40

INT. WATCH ROOM. NIGHT.
Xena is half out of the stairwell holding six guards below her. Guy#2 comes to, gets up, approaches Xena from behind, sword in hand. Gabrielle enters from above and trashes him.

XENA
Thanks.

Xena and Gabrielle hold them off for a bit.

AUTOLYCUS
(VO) (from above) It's just about ready!

GABRIELLE
(still fighting) How we gonna do this?

XENA
You're going to grab that phosphorus brick and tell me when you're at the top of the stairs.

Gabrielle does just that.

GABRIELLE
Ready!

Xena pushes one guard into the others to buy time and is quickly with Gabrielle at the top of the next stairs. As the guards surge after her we see that there are at least a dozen of them. Xena and Gabrielle hold them again.

XENA
Gimme the brick!(Gabrielle does) Now go!

GABRIELLE
But how will you make it?

AUTOLYCUS
I can't hold this thing forever.

and he is right the balloon is trying to fly. It's taking all his strength and a few ropes to hold it down.

XENA
Believe me I'll make it, now go!

Gabrielle goes. She climbs the mirror and stand, Autolycus gives her a final boost and slips. Close up: His foot moves the aperture lever which opens. Hanging by both hands from the ceiling he kicks to get up and sets the gun spinning. Xena dives further into the room as the man in front of her boils to nothing, his black and cracked bones falling to the floor still holding his weapons. There is a moment as all in combat look to see what the beam is doing. It continues its clockwise spin forcing Xena farther into the room. The guards surge forward. The beam hits the silver panels and the guards are blinded by the tremendous diffusion flash. The gun stops turning so that the beam spills through the gap where Xena took the silver panel earlier.

EXT. ROOF OF THE PHAROS. NIGHT.
Gabrielle is in the balloon basket, which is made of collapsible round mettle ribs and the back pack. She sees the beam fall on the city, its cone squarely on the library.

GABRIELLE
NO! (to Autolycus) Turn it off!! Turn it off!!

The library erupts in a literal fountain of fire. Books are drawn up the incinerating thermals and flaming pages float out over the city. Gabrielle falls silent, she tears the golden hood and goggles from her head and stares. CUTAWAY: All those books burning. Shelves and shelves and shelves of them, whole rooms.

A guard swings at Autolycus' feet on the gun. He hops out of the way and the gun swings back vaporizing his assailant and forcing the guards back down the stairs. Xena cracks the wax and throws the phosphorus down the stairs. It lands on the oil barrel they left in the watch room for just that purpose and bursts into flame. The lid is almost instantly gone and the barrel explodes. Flaming oil spills down the stairs igniting other barrels and liquid fire rains down the shaft to the storage rooms below.

The beam continues its counter-clockwise spin back at Xena. She looks, it spins, she flips her sword around and throws it like a spear. Lenses and mirrors shatter, the fire is sputtering because the barrels are cracked and burning. Xena retrieves her sword and gets to the roof as the guards run back into the room fleeing the fire beneath them.

EXT. ROOF OF THE PHAROS. NIGHT.
Autolycus and Xena cut the ropes and the balloon rises fast. COMPOSITE SHOT: We look down as the balloon and its passengers rise past us, the Pharos is far below.

XENA
That fire should distract them long enough that they won't see which way we float.

As this line is finished there is a bright flash in the windows at the base of the tower. We hear the sound we heard earlier at the draft holes but much louder until the Pharos sounds like a giant wind instrument. Suddenly the top is engulfed in flame, the tower looks like a huge road flare. Gabrielle is very quiet, watching the library burn.

XENA
(to Gabrielle) Hey. ('are you ok?' is left unsaid)

GABRIELLE
Nothing...

but her eyes glitter in the dark more than they should

GABRIELLE
...all those books. Maps, histories-

AUTOLYCUS
Blueprints and engineering documents. Hey hey, we've got the only copies and even the machine is gone. I'm we're gonna be rich. This couldn't have worked out better if I'd planned it.

SCENE 41

EXT. BALLOON OVER THE DESERT. DAY.
They float over empty desert. Horizon to horizon, nothing but sand. Xena and Autolycus, who have removed their jump suits, look in the direction they are floating. Gabrielle looks where they've been.

AUTOLYCUS
It's a proto-type! How was I supposed to know you can't steer it?

XENA
The balloon is cooling. We're not going to be up much longer.

Gabrielle taps Xena on the shoulder. She turns, Gabrielle points at a line of dust following them in the distance.

SCENE 42

EXT. DESERT. DAY.
SLOW MOTION through a LONG LENS we see dark forms in the shimmering heat. They coalesce into riders. CUT TO LOW ANGLE CLOSE-UP NORMAL SPEED Ibn Fadlan and five riders thunder straight at the camera in full Arabian tac. Robes flowing, tassels and fringe on their mounts bouncing, dirt flying from hooves, hell bent for leather they pound past.

Back in the balloon Autolycus has hooked a cooking pot under the hole and has something burning in it.

XENA
It's not doing any good. We're going down.

GABRIELLE
(still watching the dust) They're gaining on us.

XENA
Won't be long now.

and indeed it's not, one more shot of the riders. PULL BACK to reveal that they are at the balloon which is twenty feet up and dropping, but moving fast. The Arabs have their swords up and do not look friendly.

AUTOLYCUS
You think they want to talk?

a dagger spangs off the pot.

XENA
Nope.

Xena crouches at the edge of the basket and drops on the lead horse. After tossing the rider she goes after the rest of them, Ibn Fadlan is smart enough to stay clear of her. The basket hits, still moving fast, and stuff goes everywhere including Gabrielle and Autolycus. The balloon drags the basket as the horses pursue and Xena tries to run interference. One of the Arabs hacks at the balloon which comes apart and soon stops but there is still much action. Gabrielle and Autolycus scurrying about in the debris, horses prancing on billowing silk, Warrior Princesses doing their worst. Suddenly Ibn Fadlan has a dagger to Autolycus throat.

IBN FADLAN
STOP! (all turn to face him) I want the plans, thief. That was the arrangement.

AUTOLYCUS
Hey, there's no reason to be upset about this. The Pharos is destroyed and the plans were burned along with the rest of the library.

IBN FADLAN
You have copies. My employers want them.

AUTOLYCUS
Okay, okay. I'm sure once we look through this mess we'll find them.

GABRIELLE
They're here.

she is kneeling next to the still burning pot holding the papers high.

IBN FADLAN
(to one of his men) Get them.

GABRIELLE
No! (holds them over the fire)

AUTOLYCUS
Let's not be rash, Gabrielle.

GABRIELLE
Xena told me what you said about a balance of power. Mutual fear. Why do the people you work for want this power now that Alexandria no longer has it? To kill more sailors who's only crime was being sick? To burn more books? To upset the balance? (she lights an end of the papers on fire)

AUTOLYCUS
What are you doing?!

GABRIELLE
There are no plans. They were lost in the crash. The originals were burned with the library and the weapon has been destroyed. Your mission is accomplished, balance restored.

Ibn Fadlan considers slitting Autolycus throat and for the first time smiles. He pats Autolycus on the cheek.

IBN FADLAN
With friends like this, thief, you should be thankful you have enemies like me.

he laughs loudly and goes to his horse, as do his men. Just before leaving he turns his mount back.

IBN FADLAN
Have you read Sun Tze, girl?

GABRIELLE
'I must build a golden bridge across which my enemy may retreat.'

IBN FADLAN
Precisely. (rides off)

Xena, Autolycus, and Gabrielle are alone again. They are a mess; soot and sweat streek their faces, Xena more than the others because of her camouflage. All of them have bruises, scrapes, or fat lips. They pick up their stuff and as they walk away from us we see the plans for the Pharos and the balloon sticking out of Gabrielle's scroll case.

AUTOLYCUS
How are we going to get out of here?

XENA
I think the Niles' that way.

AUTOLYCUS
Oh great. I didn't appreciate you playing fast and easy with my life young lady.

GABRIELLE
'Contract Negotiations' by some guy called Gekko. Read it in the library.

XENA
What was that golden bridge line again? Maybe I could use that sometime.

They disappear into the desert heat.


THE END

Xena: THE THIEF OF SECRETS
© March 07, 1997


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